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"From
Camera Arts, February-March 2005, The Fortunate Photographer"
As the day was winding down at the last Review
Santa Fe a photographer was unrolling an image that spread across
the desk of another reviewer. It caught my eye because of its size,
first, and then because of its captivating subject matter. The photograph
on the opening spread, Incognito, was that image..
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full article (PDF: 867ko)
"From Pei Mag, September-October 2004,
No Limits"
Being a self-taught photo artist can be a
blessing and a curse. It can free your work from staid convention,
but it can also be mentally and financiallydraining. Nothing is
a given; you have to figure out how to translate your
ideas into images or you’ll fail. This constant struggle to
reinvent the wheel breaks some photographers. Others, it inspires.
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full article (PDF: 1,81Mb)
"Fashion
Television Interview, June 2004"
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the video (Quicktime Movie, 300*240 - 22mb)
"From Photo Life Magazine, May 2004"
Like any successful artist, photographer
Barbara Cole is a part of all that she has been. And so, too, has
the remarkable assurance and authority of her work been generated
from the extraordinary trajectory of her career in image-making.
Everything began early and abruptly for Cole. And everything that
happened to her contributed a good deal to the artist she was to
become.
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full article (PDF: 463ko)
"From Globe & Mail, July 5, 2003,
reviews: underworld"
The images that constitute photographer Barbara
Cole's exhibition Underworld, now at Toronto's Tatar Alexander Gallery
after a previous mounting at the Canadian Embassy in Japan, are
so ethereally gorgeous it's downright disconcerting. Beauty is big
in art these days, yes, but these endlessly voluptuous images of
comely young women in and out of their diaphanous garments and gliding
about in pools of deep, clear, green-blue water sing such a siren
song, visually speaking, you find yourself hopelessly, uncritically
prostrate before their loveliness.
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full article (PDF: 1,23Mb)
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